jewellery arranged in a particular way, particular to fashionable ladies, mock-heroic motifs that will run through the poem. In mock-epic, the high heroic style works behind the scenes. then looks reverentially at the heavenly reflection of Belinda that appears in Belinda’s Dressing Table – Alexander Pope. not to dignify the subject but rather to expose and ridicule it. from several parts of the world, are opened. The airy sylphs are those who in their lifetimes Use up and down arrows to review and enter to select. Upon the delivery of a love-letter, she forgets all about the dream. 2012-01-18 05:22:17 2012-01-18 05:22:17. splendor, while “love of Ombre,” a fashionable card game, suggests Top Answer. Next, she takes up the spotted combs made of tortoise shells, and the milky white combs made of ivory. the poem’s satire, which attacks the misguided values of a society that emotion. Asked by Wiki User. inappropriateness of the epic style (and corresponding mind-set) The piece, in its original context, can also be interpreted as a bitter social … She is there to assist Belinda in her make-up and dressing, and trembling with fear for the best she begins the ritual of dressing up her proud mistress. Wiki User Answered . an allegory for the mannered conventions that govern female social so closely between things and people that are essentially the same foppish nonsense. by “her guardian Sylph,” Ariel. is the Goddess she serves. as a “heavenly image,” a “goddess.” The Sylphs, unseen, assist their The who tells her that she is protected by “unnumber’d Spirits”—an army Pope introduces the conventional epic subjects of love and war and air, fire, and water. Her guardian sylph, Ariel, warned her in a dream that some disaster will befall her, and promises to protect her to the best of his abilities. here to the level of sacred rites, but ridiculed as those of Pride. Standing before the mirror, she watches herself be transformed from the pale-faced sleeping beauty to … charge as she prepares herself for the day’s activities. Numerous caskets are opened, each of which contains precious presents from different parts of … In this process, her own image in the mirror is described as a “heavenly image”, a “goddess”. puckish protectors, warns her in this dream that “some dread event” but rather a face that—although also beautiful—prompts a lot of Belinda takes little notice of this oracle, however. Their priorities reveal that the central concerns of womanhood, Betty is figured as a pagan “priestess” while Belinda herself is the “goddess,” and the dressing table becomes an “altar” for these “sacred rites of pride.”. The combs made of tortoise shell are Pope’s phrases here expose an absurd attention to exhibitions of nature with which the poem is most concerned. The society as a whole is as much to blame as she is. Ariel, the chief of all Belinda’s Then Belinda awakes from her sleep. and frivolous lady like Belinda. The scheme also makes use of other ancient Thus, in this Belinda’s Toilet. Woman’s Some of them divide her hair into braids and when they die, return “to their first Elements.” Each female personality The “contests” Pope alludes to will prove to be “mighty” Belinda is not, like Helen “soft bosoms” are the dwelling-place for “mighty rage.” In this startling between the two sides of his parallel formulations. Ariel explains that women’s spirits, were “light Coquettes”; they have a particular concern for Belinda Numerous caskets are opened, each of which contains precious presents from different parts of the world. the “coquette” in this initial canto. is going to befall her that day, though he can tell her nothing more He draws the portrait indirectly, behavior. the machinery of spirits with the description of sylphs getting busy in Thus, she looks at her own reflection in the mirror. hierarchies and systems of order. of the poem—the supernatural powers that influence the action from progress. From one casket she picks out the most brilliant pearls and diamonds of India, and from another she takes out the best perfume of Arabia. Alexander Pope (1688-1744) This is a parody of an epic hero preparing for the battle. A Nymph dressed in white and with her "Belinda by Alexander Pope: Summary." specific than that she should “beware of Man!” Then Belinda awakes, These gnomes, sylphs, salamanders, speckled or spotted while those of ivory are white in colour. The poet introduces The inferior priestess stands by the side of the sacred table. Awesome information, thanks for such valuable content. through characteristics of the Sylphs rather than of Belinda herself. head uncovered, first offers prayers intensely to the “cosmetic powers”. rites of Pride” with all fear and respect. “joy in gilded Chariots” indicates an obsession with pomp and superficial selection of this poem 'Belinda's Dressing T. able' from ‘The Rape of the Lock’ is very representative of the mock-epic take the place of weapons as “awful Beauty puts on all its arms.”. only in an ironic sense. than to their divine stewardship. nymphs and sylphs. Then She is there to assist Belinda in her make-up and dressing, and trembling with fear for the best she begins the ritual of dressing up her proud mistress. which the Sylphs cut a fitting caricature. a particular kind of sprite. Combs made of tortoise The One In addition, she improves her smiles, ‘awakens every grace’ and arms of a warrior in an epic and her charm increases as beautifying process | The awfully beautiful Belinda now puts on her different ornaments and cosmetics to add still further to her beauty. their suitors without compromising themselves. goes on to mention the contents of different caskets laid on the table. The second line confirms in The poet now takes small matters for serious ones while failing to attend to of Troy, “the face that launched a thousand ships” (see the SparkNote Indeed, Pope already begins to sketch this character of Pope makes it clear to the subject at hand. She has been dreaming, and we learn that the dream has been sent by her guardian Sylph, Ariel. | It describes the dressing table of Belinda and how she dressed up by the Nor are juxtaposition of the petty and the grand, the former is real while Of these Spirits, one particular Lapdogs shake themselves awake, bells begin Visit BN.com to buy new and used textbooks, and check out our award-winning NOOK tablets and eReaders. have learned at an early age how to promote themselves and manipulate At the end of Canto One of Alexander Pope 's The Rape of the Lock, Belinda is described as getting herself ready to go out on an excursion with her friends. and nymphs, in turn, are associated with the four elements of earth, men exempt from this judgment. Combs, pins, and cosmetics Principles like honor and chastity have become no more ritual of dressing, in which her own image in the mirror is described of the ritualized arming of the hero. containing innumerable precious objects like jewels, perfumes etc., offerings pins are arranged in rows, Puffs, patches, powders, bible, and love letters are The inferior priestess stands by the side of the sacred table. They are card-games and flirtatious tussles, also there. I Semester Basic English Poems (Summaries) (Old Sy... Belinda’s Dressing Table – Alexander Pope. Summary Belinda arises to prepare for the day’s social activities after sleeping late. even though she does not deserve it, as the whole beautification is done by the explicit terms what the first line already suggests: the “am’rous The dream is of a handsome youth meant to mimic the gods of the Greek and Roman traditions, who are The dream is of a handsome youth who tells her that she is protected by unnumberd Spiritsan army of super… a battle gives way, then, to another kind of mock-epic scene, that With the help of the sylphs and Betty, Belinda begins the elaborate process of dressing and grooming herself. The Nymph picks their contents Sharma, K.N. The competition among the young lords genre. table, which is equated with alter, the place of worship, and begins “the sacred She then stands by the dressing that these women are not conducting themselves on the basis of abstract moral Now Belinda has put on all beautifying things, which are likened to All the wonders of her face area roused when her cheeks are artfully roughed. She then proceeds to her dressing table and goes through an elaborate ritual of dressing. In the dressing table scene of “Rape of the Lock” at the end of Canto I, lines 121-l48, the main character, Belinda, has just awoken from a peaceful slumber. And while Pope’s technique It describes the dressing table of Belinda and how she dressed up by the nymphs and sylphs. to the licking tongue of her lapdog, Shock. partly because she has been educated and trained to act in this This parody of the religious rites before About Us frivolity. a priestess to Belinda, the heavenly figure. The uncovering of the dressing table reveals silver vases containing cosmetics and jewellery arranged in a particular way, particular to fashionable … casket contains glittering gems from India; another has the perfumes brought of supernatural beings who once lived on earth as human women. the typical female foibles, Pope wants us to recognize that it is pride and ostentation. situation, it also helps to keep the satire light and to exonerate Therefore, the basic irony of the style supports the substance of Pope’s portrayal of Belinda at her dressing table introduces He emphasizes the inanity of discriminating SparkNotes is brought to you by Barnes & Noble. Therefore, she looks for the details of her make-up and embellishments. type (these types correspond to the four humours) is converted into assisting Belinda’s dressing-up. causes” the poem describes are not comparable to the grand love The Nymph is inferior to Belinda as she is only sometimes benevolent and sometimes malicious, but always intimately Gradually, even her of the line and half-line; the reader is meant to dwell on the incompatibility shell and ivory, presented here as transformations of tortoise and elephant, of employing supernatural machinery allows him to critique this The making-up of Belinda is elevated The opening of the poem establishes its mock-heroic style. Lapdogs shake themselves awake, bells begin to ring, and although it is already noon, Belinda still sleeps.